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Reviews

Pornographic Noir | Ian Townsend’s Purgatory

By Conor Hultman

Pornographic Noir | Ian Townsend’s <em>Purgatory</em>

Reviews

Old South, My Ass | Dan Leach’s Dead Mediums

By Justin Peter Kinkel-Schuster

Old South, My Ass | Dan Leach’s <em>Dead Mediums</em>

Music | Reviews

Two of Rap’s Great Oddballs | On Madvillainy

By Sam Hockley-Smith

Two of Rap’s Great Oddballs | On <em>Madvillainy</em>

Reviews

Stories We Don’t Want to Hear | Fernanda Melchor’s This Is Not Miami

By Cory Oldweiler

Stories We Don’t Want to Hear | Fernanda Melchor’s <em>This Is Not Miami</em>

Reviews

Reaching New Heights | Sebastián Martínez Daniell’s Two Sherpas

By Sam Carter

Reaching New Heights | Sebastián Martínez Daniell’s <em>Two Sherpas</em>

Reviews

Capitalism and Culpability | Andrés Neuman’s Bariloche

By Federico Perelmuter

Capitalism and Culpability | Andrés Neuman’s <em>Bariloche</em>

Reviews

The Noise an Object Makes | Yuri Herrera’s Ten Planets

The Noise an Object Makes | Yuri Herrera’s <em>Ten Planets</em>

Reviews

Semiotics for the Global Damned | Daisuke Shen and Vi Khi Nao’s Funeral Parade of Roses

By Conor Hultman

Semiotics for the Global Damned | Daisuke Shen and Vi Khi Nao’s <em>Funeral Parade of Roses</em>

Reviews

A Fragmentary Novel that Glimmers with Light | Astrid Roemer’s On a Woman’s Madness

By Elizabeth Gonzalez James

A Fragmentary Novel that Glimmers with Light | Astrid Roemer’s <em>On a Woman’s Madness</em>

Reviews

Natural Ecstasy | Kevin Maloney’s The Red-Headed Pilgrim

By Mila Jaroniec

Natural Ecstasy | Kevin Maloney’s <em>The Red-Headed Pilgrim</em>

Reviews | Sports

The Magic Trick They Will Never Get Sick of Performing | Thomas Beller’s Lost in the Game

By Burke Nixon

The Magic Trick They Will Never Get Sick of Performing | Thomas Beller’s <em>Lost in the Game</em>

Reviews

The Glory of Cleaning Toilets | Paul Lafargue’s The Right to Be Lazy

By Garth Miró

The Glory of Cleaning Toilets | Paul Lafargue’s <em>The Right to Be Lazy</em>

Reviews

Instructions for Breathing Underwater | Regarding The Parts Triptych by Rodrigo Fresán

By María José Navia (Translated by Will Vanderhyden)

Instructions for Breathing Underwater | Regarding <em>The Parts Triptych</em> by Rodrigo Fresán

Reviews

Notes from the Bathroom Stalls of Our Hearts | Jon Berger’s Goon Dog

By Conor Hultman

Notes from the Bathroom Stalls of Our Hearts | Jon Berger’s <em>Goon Dog</em>

Reviews

If Memory Serves | Sylvia Molloy’s Dislocations

By Sam Carter

If Memory Serves | Sylvia Molloy’s <em>Dislocations</em>

Reviews

Our Eternal Debasement | Evelio Rosero’s Toño the Infallible

By Federico Perelmuter

Our Eternal Debasement | Evelio Rosero’s <em>Toño the Infallible</em>

Reviews

An Epistolary Novel for the 21^st Century | Elle Nash’s Gag Reflex

By Conor Hultman

An Epistolary Novel for the 21<sup>st</sup> Century | Elle Nash’s <em>Gag Reflex</em>

Reviews

An Islander with All Her Muddles | Cristina Bendek’s Salt Crystals

By Drew Broussard

An Islander with All Her Muddles | Cristina Bendek’s <em>Salt Crystals</em>

Reviews

Slow Your Heart, Hold Your Breath | Hillary Leftwich’s Aura

By Mila Jaroniec

Slow Your Heart, Hold Your Breath | Hillary Leftwich’s <em>Aura</em>

Reviews

A New Lodestar | The Collected Stories of Peter Christopher

By Conor Hultman

Reviews

We Only Do What We Must | Nada Alic’s Bad Thoughts

By Shy Watson

We Only Do What We Must | Nada Alic’s <em>Bad Thoughts</em>

Reviews

Degraded by Time, Distorted by Perspective | Julián Fuks’s Resistance and Occupation

By Marshall Shord

Degraded by Time, Distorted by Perspective | Julián Fuks’s <em>Resistance </em> and <em>Occupation</em>

Reviews

A Massive Living Mural | Fernando A. Flores’s Valleyesque

By David Leo Rice

A Massive Living Mural | Fernando A. Flores’s <em>Valleyesque</em>

Reviews

A Novel That Knows What Football Means in the South

By Gabino Iglesias

Reviews

A Surreal Delight | Juan Emar’s Yesterday

By Mark Haber

A Surreal Delight | Juan Emar’s <em>Yesterday</em>

Reviews

The Workshop of an Iconoclast | Machado de Assis’s Resurrection

By Marshall Shord

The Workshop of an Iconoclast | Machado de Assis’s <em>Resurrection</em>

Reviews

Weird, Bloody Magic | Mónica Ojeda’s Jawbone

By Gabino Iglesias

Weird, Bloody Magic | Mónica Ojeda’s <em>Jawbone</em>

Reviews

The Bitter Perfume of Mystery | Sergio Pitol’s The Love Parade

By Wilson McBee

The Bitter Perfume of Mystery | Sergio Pitol’s <em>The Love Parade</em>

Reviews

A Special Kind of Rage | Paulo Scott’s Phenotypes

By Marshall Shord

A Special Kind of Rage | Paulo Scott’s <em>Phenotypes</em>

Reviews

That Weird and That Good | David Leo Rice’s Drifter

By Gabino Iglesias

That Weird and That Good | David Leo Rice’s <em>Drifter</em>

Reviews

Portrait of an Unknown Artist | Javier Serena’s Last Words on Earth

By Robert Rea

Portrait of an Unknown Artist | Javier Serena’s <em>Last Words on Earth</em>

Reviews

Genius Insurgent? | The Life and Art of Dave Hickey

By Odie Lindsey

Reviews

A Hybrid Literary Beast | Tanguy Viel’s The Disappearance of Jim Sullivan

By Gabino Iglesias

A Hybrid Literary Beast | Tanguy Viel’s <em>The Disappearance of Jim Sullivan</em>

Reviews

Lunatics and Lost People | Emilio Fraia’s Sevastopol

By Marshall Shord

Lunatics and Lost People | Emilio Fraia’s <em>Sevastopol</em>

Reviews

Love in His Heart and a Gun in His Suitcase | João Almino’s The Last Twist of the Knife

By Marshall Shord

Reviews
Portable Solitude | Garielle Lutz’s Worsted
By Gavin Thomson

Reviews
Portrait of a Creep | Clarice Lispector’s An Apprenticeship or the Book of Pleasures
By Marshall Shord

Reviews
Authors Behaving Badly | Pola Oloixarac’s Mona
By Wilson McBee

Reviews
The Horror of the Inexplicable | Elvira Navarro’s Rabbit Island
By Gabino Iglesias

Reviews
The Whole Twisted Thing Is True | Beatriz Bracher’s Antonio
By Marshall Shord

Reviews
On the Road to Nowhere | William Eggleston 414
By Michael Bible

Reviews
The Border Where Noir and Western Meet | Barry Gifford’s Black Sun Rising / La Corazonada
By Gabino Iglesias

Reviews
The American Dreams of Éric Plamondon
By André Forget

Reviews
The Costs of Paying Attention | Maurio Javier Cárdenas’s Aphasia
By Wilson McBee

Reviews
Cosmic Humanity | Adam Nayman’s Paul Thomas Anderson: Masterworks
By William Boyle

Reviews
The River’s Indifference | João Noll’s Harmada
By Marshall Shord

Reviews
An Explosive Mix of Science Fiction and Noir | Yoss’s Red Dust
By Gabino Iglesias

Reviews
The Life of a Blackguard | Graciliano Ramos‘s São Bernardo
By Marshall Shord

Reviews
Jenny Offill: The Kid Stays in the Picture
By Wilson McBee

Reviews
A Stylish Blend of Comedy and Crime | Juan Pablo Villalobos’s I Don’t Expect Anyone to Believe Me
By Robert Rea

Reviews
Delicious Sentences | Kathryn Scanlan’s The Dominant Animal
By Wilson McBee

Reviews
A Master Chronicler of Minimum-Wage Living | Sam Pink’s The Ice Cream Man & Other Stories
By Gabino Iglesias

Reviews
Tiny Love: The Complete Stories of Larry Brown
By Odie Lindsey

Reviews
The Perennial Threat of a New Virus | Rodrigo Márquez Tizano’s Jakarta
By Gabino Iglesias

Reviews
A New Chapter in the Palomar Mythos | Gilbert Hernandez’s Maria M.
By Robert Rea

Reviews
A Quirky Scandinavian Master | Dag Solstad’s Professor Andersen’s Night
By Wilson McBee

Reviews
The End Is a Good Thing | Greg Grandin’s The End of the Myth
By Steven Weisenburger

Reviews
High End Science Fiction | Pola Oloixarac’s Dark Constellations
By Robert Rea

Reviews
A Uniquely Enchanting Voice | María Gainza’s Optic Nerve
By Wilson McBee

Reviews
A Strange Soup of Fact and Fiction | Sergio Pitol’s Mephisto’s Waltz: Selected Short Stories
By Robert Rea

Reviews
A Biting Portrait of the 21st Century | Virginie Despentes’s Vernon Subutex
By Wilson McBee

Reviews
Highly Compressed Horror | Amparo Dávila’s The Houseguest & Other Stories
By Robert Rea

Reviews
A Digital Native in an Offline Land | Brian Phillips’sImpossible Owls
By Robert Rea

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