Robert Rea, Author at Southwest Review

Comics | Web Exclusives

Conversations with Don DeLillo and Other Conversations

By Drew Lerman

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Known Associates | Episode 7: Amanda Petrusich

By Elizabeth Nelson

Music | Podcasts

Known Associates | Episode 6: Graham Parker

By Elizabeth Nelson

Reviews

Known Associates | Episode 5: Jason P. Woodbury

By Elizabeth Nelson

Interviews | Music | Podcasts

Known Associates | Episode 4: Ann Powers

By Elizabeth Nelson

Reviews

Track Premiere | Elegant Bachelors

By Elizabeth Nelson

Interviews | Music | Podcasts

Known Associates | Episode 3: Jessica Hopper

By Elizabeth Nelson

Web Exclusives

Track Premiere | White Wine Whatever

By Elizabeth Nelson

Interviews | Music | Podcasts

Known Associates | Episode 2: Patterson Hood

By Elizabeth Nelson

Web Exclusives

Track Premiere | The Paranoid Style’s “It’s a Dog’s Breakfast”

By Elizabeth Nelson

Interviews | Music | Podcasts

Known Associates | Episode 1: Craig Finn

By Elizabeth Nelson

Columns | Movies | Music

Needle Drops | Peter Gabriel’s “Blood of Eden”

By Jason P. Woodbury

Reviews

Blessed Are the Composers | Rereading Frank Stanford in the Light of Truth

By Elijah Burrell

Columns | Sports

Let Us Now Praise Giant Men | Exploding Piston Inevitable

By Liam Baranauskas

Interviews

Traducir las palabras talismánicas de Frank Stanford | Una conversación con Patricio Ferrari

By Sylvia Georgina Estrada

Interviews

Taxonomizing a New Genre | The High Lonesome

By Elizabeth Nelson

Columns | Sports

Let Us Now Praise Giant Men | Watching the Penguins Play

By Liam Baranauskas

Web Exclusives

President-to-Be as Flâneur, New Orleans as Bolt-hole, Novelist as History’s Gap Filler

By J. R. Ramakrishnan

Reviews

Incubator Noir | Eli Cranor’s Broiler

By Travis Woods

Incubator Noir | Eli Cranor’s <em>Broiler</em>

Columns | Music

No Good Nights | Brian Evenson’s Good Night, Sleep Tight

By Andy Davidson

Reviews
The Sweetest Flowers from the Void | Gianni Washington’s Flowers from the Void
By R. J. Joseph

Reviews
Camilla Grudova’s Technicolor Freak Shows
By R. M. N. Landry

Interviews
Latin American Horror Stories | An Interview with Sarah Booker, Lisa Dillman, & Noelle de la Paz
By Jimmy Cajoleas

Reviews
Total Disgust Achieved | Emma E. Murray’s Crushing Snails
By Brandi Gaspard

Reviews
The Endless Horrors of an Unknowable Mind | Nathan Ballingrud’s Crypt of the Moon Spider
By Colin Sneed

Reviews
A Unique Example of Flat-Out Genius | Machado de Assis’s Quincas Borba
By Federico Perelmuter

Reviews
The Febrile Imagination of Andrés Neuman
By Cory Oldweiler

Reviews
Motherhood Is a Life Sentence | Claudia Piñeiro’s Time of the Flies
By Lori Feathers

Web Exclusives
How to Read Kafka
By Mark Haber

Reviews
The Sense of Being a Boomerang | Daniel Saldaña París’s Planes Flying over a Monster
By Caroline Tracey

Interviews
Let’s Call It Dissident | An Interview with Gabriela Wiener
By Sylvia Georgina Estrada (Translated by Julia Sanches)

Reviews
Jillian Luft’s Modern Romance
By Shy Watson

Columns | Music
The Guest List | Tim Kinsella
By Jimmy Cajoleas

Columns | Movies
I Wake Up Streaming | August 2024
By William Boyle

Reviews
Remixing the Dead | Mateo García Elizondo’s Last Date in El Zapotal
By Atenea Cruz (Translated by Ellen Jones)

Reviews
América para El Americano
By Hiram Ruvalcaba

Reviews
The Kinetic Spell of Arthur Russell
By Sam Hockley-Smith

Reviews
Hell Is a Teenage Girl | Juliet Escoria’s You Are the Snake
By Mila Jaroniec

Columns | Music
The Guest List | Dehd
By Emily McBride

Reviews
Animated Profundity | Kit Schluter’s Cartoons
By Ryan Ridge

Reviews
Abandoned Dogs | Rodrigo Blanco Calderón’s Simpatía
By Michael Schaub

Columns | Movies
I Wake Up Streaming | July 2024
By William Boyle

Interviews
Radical Geometry | A Conversation with José Vadi
By Kyle Beachy

Reviews
Brenda Navarro | Two Voices in the Dark
By Julián Herbert (Translated by Robin Myers)

Reviews
Copi’s Queens
By Federico Perelmuter

Reviews
Machinic, Unloving, Graceless | Peter Vack’s Sillyboy
By Conor Hultman

Columns | Music
Hay que venir al sur | Cu-Cu-Cu Cumbia!
By Richard Villegas

Reviews
A Cure for Loneliness | Charlee Dyroff’s Loneliness and Company
By Drew Broussard

Reviews
A Gothic Fable of Female Revenge | Layla Martínez’s Woodworm
By Cory Oldweiler

Columns | Sports
Let Us Now Praise Giant Men | Jalen Brunson Broke His Hand
By Liam Baranauskas

Essays | Web Exclusives
A Ghost of a Chance | A Translator’s Note in Memory of Paul Auster
By Alex Andriesse

Reviews
The Mind of All of Us | Mauro Javier Cárdenas’s American Abductions
By Wilson McBee

Columns | Movies
I Wake Up Streaming | May 2024
By William Boyle

Reviews
A Humble Tribute to My Land | Selva Almada’s Not a River
By Cory Oldweiler

Interviews
Heavy Metal Magical Realism | A Conversation with Max Hipp
By Tyler Keith

Reviews
A Kind of Lostness | Clemens Meyer’s While We Were Dreaming
By Burke Nixon

Reviews
Perfectly Imperfect | Two Books for Analog Aficionados
By Sam Hockley-Smith

Interviews
Breaking the Quiet | An Interview with Elijah Burrell
By Sadie Shorr-Parks

Reviews
Trust in the Whispers of the Universe and Persevere | Mallory Smart’s I Keep My Visions to Myself
By Mila Jaroniec

Columns | Music
The Guest List | Mary Timony
By Jimmy Cajoleas

Columns | Movies
I Wake Up Streaming | March 2024
By William Boyle

Reviews
Lost in a Desert Fever Dream | Clyo Mendoza’s Fury
By Cory Oldweiler

Web Exclusives
Cover Reveal | Mark Haber’s Lesser Ruins

Reviews
A Neo-Baroque Carnival | Sergio Pitol’s Taming the Divine Heron
By Daniel Saldaña París

Columns | Music
The Guest List | Ryan Davis & the Roadhouse Band
By Jimmy Cajoleas

Reviews
Art Monster | Margarita García Robayo’s The Delivery
By Kat Solomon

Reviews
A New Voice in the Worldwide Weird | Bernardo Esquinca’s The Secret Life of Insects
By Adrian Van Young

Interviews | Music
Sit with Me on the Edges | Talking Present Tense and Prodigal with Andrew Bryant
By William Boyle

Columns | Music
Hay que venir al sur | Yeehaw Sounds, en español!
By Richard Villegas

Reviews
We See What We Want to See | Brian Allen Carr’s Bad Foundations
By Robert Warf

Reviews
Her Story Must Be Told | Patrícia Melo’s The Simple Art of Killing
By Ariel Ramchandani

Columns | Movies
I Wake Up Streaming | January 2024
By William Boyle

Columns | Music
The Guest List | Ratboys
By Jimmy Cajoleas

Interviews
Talking Rumble through the Dark and Desperation Road with Michael Farris Smith
By William Boyle

Reviews
Weaving a Story of Friendship, Stitch by Stitch | Jazmina Barrera’s Cross-Stitch
By Jude Burke-Lewis

Reviews
Liberation, Freedom, and Goodness | Sasha Frere Jones’s Earlier
By Sam Hockley-Smith

Reviews
The Absence of Choice | Sara Gallardo’s January
By Cory Oldweiler

Web Exclusives
10 Must-Read Books of 2023

Reviews
Dark Hilarity | Luis Felipe Fabre’s Recital of the Dark Verses
By Carmen Boullosa (Translated by Samantha Schnee)

Interviews | Music
“Print the Legend” | A Conversation with Elizabeth Nelson and Patterson Hood
By Elizabeth Nelson

Columns | Movies
I Wake Up Streaming | November 2023
By William Boyle

Columns | Sports
Let Us Now Praise Giant Men | Out There, There Is No Pain
By Liam Baranauskas

Columns | Music
The Guest List | Buck Meek
By Jimmy Cajoleas

Interviews
Writing Is Like Drowning | An Interview with Mónica Ojeda
By María Fernanda Ampuero (Translated by Frances Riddle)

Reviews
Teaching a Wound to Speak | Tiffany Morris’s Green Fuse Burning
By Joe Koch

Reviews
How Do You Desire to Be Haunted? | Adrian Van Young’s Midnight Self
By Corey Farrenkopf

Reviews
A Wild Danse Macabre | Tex Gresham’s Violent Candy
By Conor Hultman

Reviews
Tales of Sex and Death | In Celebration of Lisa Tuttle
By Lisa Kröger

Reviews
The Modern-Day Family in Bleak, Bloody Freefall | Max Booth III’s Abnormal Statistics
By Adrian Van Young

Reviews
The Horror of the Quotidian | Giovanna Rivero’s Fresh Dirt from the Grave
By Sam Krieg

Reviews
Of Monsters and Women | Aurora Venturini’s Cousins
By Jude Burke-Lewis

Columns | Movies
I Wake Up Streaming | September 2023
By William Boyle

Interviews
The Point Is Not in Plot | A Conversation with Halle Hill
By Kendra Allen

Reviews
What Was Found and Who Was Lost | Drew Buxton’s So Much Heart
By Justin Peter Kinkel-Schuster

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